Schubert's "Little" Mass No. 2, written when he was 18 years old, was originally a simple work with only string ensemble and organ accompaniment. However, it is known for its increased splendor after trumpets and timpani were added. The piece itself has a pure sound, and its straightforward melody evokes empathy. On the other hand, Gounod's work is a beautiful piece filled with the rich music of the Romantic era. Gounod is well known for his opera "Faust," but that was after he had achieved success as a musician. In his youth, he was a deeply religious man who even aspired to become a clergyman. At that time in Paris, Mass was held on November 22nd, "St. Cecilia's Day," and this piece was written for that occasion. Here, we find music that surpasses even the beautiful Bach-Gounod "Ave Maria." It is usually composed in seven movements, but in this performance, just as it seems to end quietly with the Agnus Dei, three "Domine Salvam" movements are added in accordance with the church calendar. These sections are titled "Prayer to the Church," "Prayer to the Army," and "Prayer to the Nation," respectively. While it's said that a hymn to Napoleon was sung during the "Prayer to the Army" at the time of the performance, modern interpretations have altered the lyrics to encompass a more universal prayer. Jansons' performance, as always, is meticulously polished, allowing the listener to fully appreciate Schubert's simplicity and Gounod's brilliance. Orgonasova's majestic soprano voice is perhaps a little too powerful for Schubert, but in Gounod, she displays a strength that seems to compete with the orchestra. Elsner's lustrous voice in the Sanctus is also superb.
[Live recording] March 27-29, 2007, Munich, Hercules Hall
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